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Archana Kapoor Nagpal is an internationally published author of four books. She often participates in the short story competitions, and her winning stories are now part of international anthologies. She has seen her short stories, poems and Haiku published in other anthologies as well She has also been actively involved in the editing, proofreading and book designing of various anthologies. You can read more about her writing career at the below link: https://www.facebook.com/archanaknagpal/

Sunday, May 22, 2011

Why Cannes was selected?

I was reading about Cannes and it was very interesting to know how Cannes was decided as the location for the Film Festival. This is considered to be one of the best platforms to showcase directorial skills and films from all over the world like to be part of this Festival. But why Cannes was selected as the place to host the world’s most famous film festival – let me share here!

Cinema was invented in France – but that was in Paris, not Cannes. Like much of the world as we know it today, the Cannes Film Festival exists as an indirect result of the rise of the fascist regimes in Europe during the 1930s. Its roots date back to 1932 when the first competitive international film festival was held in Venice. In those days, the Mostra di Venezia - and chiefly its awards - was as much about the national prestige of the participating countries as it was about the films. As the decade marched on, both the official selection and the prize-winners began to noticeably favour the countries of the fascist alliance, particularly Germany and Italy.
Matters came to a head in 1938 when Jean Renoir's "La Grande Illusion" was overlooked for the festival's top prize - known back then as the Coppa Mussolini ("Mussolini Cup") - despite being the clear favourite amongst both festivalgoers and jury members. Instead, the Coppa was jointly-awarded to a two-part German film called "Olympia", commissioned by Joseph Goebbels to document Nazi successes at the 1938 Berlin Olympics; and "Luciano Serra, Pilota", made under the supervision of Il Duce's own son. When the results were announced, the French were of course outranged and withdrew from the festival. Both the British and American jury members also resigned in protest at the idea that politics and ideology were able to stamp all over artistic appreciation. "La Grande Illusion" - a largely anti-war film - was subsequently banned in Germany and Italy; Goebbels himself labelling it 'Cinematographic Enemy No.1'.
But Venice's folly turned out to be Cannes' triumph. Later that same year, a group of critics and filmmakers got together to petition the French Government to underwrite the cost of running an alternative international film festival in France - one where films could be shown and compete without bias or political censorship. Afraid of upsetting Mussolini, the French government was initially lukewarm to the idea, but the powerful lobby group wasn't going to be easily dissuaded. Headed by Philippe Erlanger (head of Action Artistique Française), Robert Favre Le Bret (who would become the festival's longest serving president), and Louis Lumière (the co-inventor of cinema), the group put intense pressure on the government, which eventually caved in and gave the event the green light.
Several locations were initially considered for the festival, but the final choice came down to either Biarritz on the Atlantic coast or Cannes on the Mediterranean. Officially, it was the city's "sunny and enchanting location" which clinched it for Cannes, however most people acknowledge that the real reason for its selection was the fact that the municipal authorities agreed to cough up the dough to build a dedicated venue for the event.
Thats how Cannes became the location for the famous film festival. I read this and thought to make it a part of label – ‘From My Library’.
Buona NotteJ